I’ve recently completed converting my loft into a darkroom. It seemed like a natural progression from having got more into my film photography recently..
An ideal time to spend in the darkroom what with this awful weather and being in lockdown.
Did a few trial prints the other day of some photos taken in the Barbican using a 35mm Olympus OM2n.The film was rated at ISO 400 and developed in Ilford ID11 developer.
These are all scans of the actual prints made in the darkroom and printed on Kentmere VC Select Luster multigrade paper.
The first print (above) I made using the settings on the colour head for the equivalent of a grade 2 paper which is a mid way grade. The range of tones at the lower level under the overhanging construction are pretty good, although the upper level balconies are a bit over exposed and losing some detail.
For the second example (above) I reset the yellow and magenta settings on the enlarger colour head to give me an equivalent to grade 3 paper which is more contrasty. The image has more punch and has darker blacks to the shadow area, although the lower part does look a bit under exposed (it does look darker on the scanned image than on the actual print though). It does also have good detail to the upper balcony areas. I may have to redo this and using a bit of cardboard just hold back the lower part by 5 seconds on the exposure in the enlarger.
It is good fun and is an interesting project to be doing in these restricted times.
I’ve also included a few of the other scanned prints of the Barbican from the last session.
Whilst we have had restricted travel I’ve been lucky enough to be able to visit the Henry Moore Gardens and Studios. It’s just a few minutes drive from where I live and just a few weeks ago I took the opportunity of a stroll around the grounds with a film camera loaded with a 36 exposure roll of Ilford HP5+ loaded into my Olympus OM2n.
I’m very pleased with the quality of the photos and I think the HP5+ film is certainly ideal for capturing the sculptures on a very dull day. The tonal range of the images is very good and I haven’t noticed too much grain. The film was developed in Ilford ID11 diluted 1+3 for 22 minutes. I would normally develop for 20 minutes but this was the second use of the developer so I added 10% to the time.
Geometric shapes can be defined as figure or area closed by a boundary which is created by combining the specific amount of curves, points, and lines.
A group of friends who are members of the local photography club and also keen on old cameras decided last week that it was time to go out on a photo shoot. Keeping to the current Government guidelines we were limited to a total of 6 and we decided to have a visit to a local town called Harlow in Essex.
The town plans were drawn up in 1947 by Sir Frederick Gibberd and was designated a New Town built to provide housing to replace the loss of housing in London during the war.
We wanted to catch the setting sun going down and throwing some light shafts through the contemporary architecture in the town. A New Town is an ideal location for this style of photography due to the proliferation of contemporary architecture with it’s associated square blocks and straight lines.
I used my Olympus OM2n 35mm SLR with a 50mm f1.4 lens. I had a red filter fitted to the lens for all these shots to darken the blue of the sky and give contrast between the sky and the buildings. Film used was Ilford HP5+ rated at 400 asa. The film was processed in Ilford ID11 @20 deg c for 20 minutes.
Film: Fomapan 400. Rated at 400asa. Developed in Ilford ID11 dilution 1+3 for 23 minutes @20 degC.
Film scanned using Plustek OpticFilm 8100 through Silverfast 8 software.
Why I chose this camera?
Having an interest in analogue photography I like to follow a YouTube channel called Analogue Insights (link at the end of this post). Recently, Max, who is the host of the site has done a review of the Afa Optima 1035. It seemed to be the ideal camera for some Street Photography and as a coincidence there was one on Ebay in mint condition which I purchased for £56.
The camera and it’s features.
The camera is built of metal and is very compact and takes 35mm film. It has zone focusing but if turned upside down it has the distance scale on the underside of the lens. Zone focusing is something I often use for Street Photography so that is fine. The viewfinder is very large and bright for such a small camera and it is equipped with a nice f2.8 40mm lens. The zone focusing settings are shown in the viewfinder which is handy. The exposure is fully automatic but there is an aperture setting on the lens. This though is only operational when using flash.
The camera was one of a series of cameras produced by Agfa through to the late 1970s and the simplistic design philosophy has as it’s roots in that of post war German industrial design. The design is a reflection of the design principles by such great designers as Dieter Rams who was instrumental in the design of the sleek and understated household goods for Braun in that era. “Good design is as little design as possible.” These few words encapsulate the philosophy of Rams. The British-American designer Jony Ive, Chief designer for Apple until 2019 once said of Rams that his work is “beyond improvement.”
This camera was designed by another German design studio. In 1967 Norbert Schlagheck and Herbert Schultes formed the design partnership Schlagheck Schultes Design GmbH and took on work of designing products for AGFA Gevaert AG. The design partnership was located in Munich and they were Influenced by Dieter Rams and his 10 Principles of Good Design. They were responsible for delivering designs for several classic cameras, along with other products. The design for AGFA provided a new and more modern direction for the camera-maker with the large red sensor shutter release being instrumental in the catch phrase for the product of ‘The other red dot camera’. This being a reference to the logo on Leica cameras. Not quite up to the standard of manufacture of Leica of course.
The results of my first trip out with the camera.
I recently was able to visit the National Trust property of Anglesey Abbey. Having just received the camera through the post I thought I’d load up with a roll of Fomapan 400 black and white film and try it out. It was an overcast day so not too much contrast but the white statuary in the grounds set against a dark background of foliage proved to be ideal for a test and I’m quite pleased with the results. The camera was a joy to use and handled very well. Manual focusing was very easy with the 400 ASA film providing small enough apertures to get some depth of field.
My next test of the camera will be to take it out on a trip doing some Street Photography.
I do like the quality and feel of the old legacy lenses created for the old film cameras. To my mind they are built to a higher standard than the modern lenses made for the consumer market.
I recently saw a Carl Zeiss Jena 29mm lens advertised on ebay and was tempted and was surprised that no one else bid on it. So, I got myself a nice lens of good condition for £31.
There is a lot written about the company of Zeiss Jena and the fact that it was situated in the Eastern part of Germany after the second world war. The company Zeiss originated in Jena but after the war the Americans moved most of the staff and manufacturing to Oberkochen in the West of Germany. Optics were continued to be manufactured in the original factory in Jena and in some cases using the original technicians who chose to stay. Some would say that the quality of the Jena lenses doesn’t match that of the ones produced in Oberkochen but I think there is an element of snobbery in that statement. It may be that the quality control was a bit more relaxed at the Jena works but if you get a good example they are certainly good lenses.
You are, of course, stuck with manual focus when using these lenses on a digital camera but that doesn’t bother me at all. I often use manual focus with my digital lenses. On a Micro Four Thirds camera the focal length for this lens is 58mm which is a good focal length for Street Photography. The lens also has a close focus distance of 0.25m which is better than my Leica 25mm digital lens. I also like the way these old lenses have all the distance scales etc etched on the lens. It’s very handy for when you’re doing zone focusing, again, not something easy to do on a lens with no distance markings.
The lens fitting is the 42mm screw fit so I had to purchase a new adaptor for my micro four thirds cameras (Olympus OM-D E-M1 and Lumix GX8).
I chose the K & F Concept adaptor as I had purchased others in the past and some had been problematic and fitted the Lumix camera but not the Olympus. The one I chose was the Pro version which is a couple of pounds more expensive but was of excellent build quality and finish. It fitted both cameras very accurately without any play.
The lens and the adaptor look very good mounted on my Olympus OM-D.
I mounted the lens to my Lumix GX8 and went out for an afternoon photographing in a small town called Saffron Walden in Essex. These are some of the results. All jpgs straight out of the camera with no post processing:
Built in 1650, Wimpole Hall is a neo-classical building and is Grade I listed. The estate itself is Grade I listed on the Register of Historic Parks and Gardens. Owned by the Chicheley family for 250 years the house passed through a number of familys before passing into ownership by The National Trust. As the National Trust are now opening up access to their properties we were able to book a visit there a few days ago. I took it as an opportunity to do some photography using one of my 35mm SLR film cameras.
Film: Ilford FP4 rated at 125asa. Developed in Ilford ID11 diluted1+1 for 11 minutes @20degC.
Scanned to digital using a Plustek 8100 scanner.
The park was “naturalised” by Capability Brown. The North Park is particularly attractive with its belts of woodland, gentle rolling hills with individual trees and clumps of trees. The central feature of the North Park is the Gothic Tower known as The Folly and the restored lakes in the valley below.
The folly is designed to resemble the ruins of a medieval castle. It was built on the grounds of Wimpole Hall in the mid-1770s
Single-arch timber bridges were often called ‘Chinese’ in the eighteenth century, probably because they were reminiscent of the bridges shown on Chinese porcelain, lacquer, silk and wallpaper. It was designed by Lancelot Brown and was rebuilt in the mid 20th century.
Wimpole Farm is one of the UK’s largest rare breed centres and they play a key role in conserving rare and traditional breeds of livestock.
A very nice 3.2 mile walk starting at St Mary the Virgin church in Stapleford near Hertford.
You can start by parking along the road next to the school in Stapleford. Then walk down the road toward the River Beane and on the way visit the mid 12th century church of St Mary the Virgin.
The church is of flint rubble, cement render with stone dressings, stock brick buttresses and with an interesting weatherboarded tower.
Walking through to the back of the church, the walk can be accessed by continuing to the back right hand corner of the graveyard and through a gate to continue alongside the River Beane and along a stretch of The Hertfordshire Way (Start). The path is a gravel path with easy walking. There are a couple of benches along the path where one can stop and take a rest.
The walk continues along the path by the river and at one point there is a wood on your left (Foxleys Wood). At this point the path goes slightly uphill to the left of the wood until you arrive at a gate and a barn on your right (point A). At this point, turn sharp left down the farm drive.
The walk continues along this surfaced farm drive past the wood which is now on your left. After some time the farm drive arrives at the road (Point B). Continue straight across the road onto another surfaced foot path.
Continue on along this farm drive which eventually starts going slightly downhill toward the river again. If you wish to take a slightly shorter route you can turn left at Point C just after South End Farm which will take you downhill to rejoin the return leg of the walk at Point E.
At this point (point D) turn left through the gate shown and continue up the field track over the hill toward the wall and the gate through and continue along the path alongside the river. The path continues alongside the river and you end up at the road where you parked.
8th May 2020 – My target for today was to go for my daily walk in the morning, expose a roll of black and white film on the walk. Get home and process the film, scan the negs and write this blog post.
I first met a problem with the scanning and had to do it again. I think it may have been a problem with using the dust and scratch removal on the Plustek scanner. They came out a bit blotchy so had to re-scan them all. Second thing I hadn’t factored in was that yesterday was a celebration in remembrance of V.E. day so had to go out for a social distancing street party later in the day and consume vast quantities of beer. All not conducive to finishing the post.
Anyway, continued today. Negs scanned and all OK. Edited in a format to post and ready to go.
The walk; A stroll of about 2.5 miles in the Hertforshire countryside near the village of Perry Green.
Olympus OM2n 35mm film camera.
Olympus 35-105 f3.5 Zuiko lens.
Olympus 200mm f4.0 Zuiko lens.
Fomapan 200 film developed in Ilford ID11 1+3 dilution @20degC. for 13 minutes.
Negs scanned using a Plustek Opticfilm 8100 film scanner with Silverfast 8 plus software.
Minimal post processing. Nik Silver Efex to add 35% sepia toning and black border.
The walk takes you from the church in Perry Green and past and round the Henry Moore Foundation grounds.
We do a right just after the entrance to Henry Moore Gardens and follow a footpath which takes us round the other edge of the gardens.
Doing another right at the end of the gardens takes us along the end of the gardens and through the fields past more Moore sculptures.
Another right turn takes us back along the field behind the Henry Moore Gardens and views of some more sculptures.
Another day of restricting ourselves of travel. Another walk locally.
We are able thankfully to walk in areas of open space at the edge of our estate and keep ourselves away from others. This walk through the tracks and lanes of the countryside has become my new ‘Street’.
Around the turn of the 15th Century, Thorley Manor acquired one of its most illustrious Lords, Sir Richard Whittington. As the legendary Dick Whittington, three times Lord Mayor of London, he made most of his fortune lending money in the City of London. His name, however, now lives on at Richard Whittington School and on Whittington Way. Popular folk lore likes to adopt the successive cats that frequent the church as the local descendant of Dick’s famous cat!
Our walk starts at the local church of St. James the Great, Thorley Church.
Originating in the 13th Century the church gained it’s most prominent feature, in the 15th century. The the church tower, built in the Perpendicular style. The evidence that church towers were still thought of as defensive locations is shown by the ornamental battlements and the extra heigh provided by successive storeys. Thorley’s design of tower with a thin eight sided spire or spike rising direct from the tower is a church feature peculiar to Hertfordshire.
The use of the top of the tower as a vantage point has a modern significance. It was used in the Second World War as a look-out place to watch for the night-flying Lysander aircraft returning to Sawbridgeworth airfield at Allen’s Green less than two miles away.
Moving on down into the valley our ‘Street’ takes us past some old barns, now used by industry.
On over a small bridge over a stream to follow the valley floor.
Back across the fields to the church and home again.
Each year on my birthday month I tend to go somewhere for a short city break. This year I chose Istanbul in Turkey. It seemed like too good an offer to pass over with 6 nights including flights and transfers from the airport for a little over £400.
The journey from Sabiha Gokcen International Airport, 30 miles South-East of Istanbul, to our hotel in Istanbul took around 1 1/2 hours including our driver getting into a scrap at a busy junction with a yellow cab driver. The timely arrival of a policeman on a motorbike broke up the two characters rolling around on a bonnet of the yellow cab throwing punches at each other. Fortunately the policeman didn’t arrest the cabbies and cart them off so we could continue our journey.
With all it’s mix of cultures and the changes throughout the ages to it’s architecture I thought it would be an interesting place to visit, and I wasn’t disappointed.
Istanbul wasn’t at that time showing any cases of the virus but we were scanned at the airport when we arrived by a thermal camera which should show anyone with a temperature.
Formerly known as Byzantium and Constantinople and with over 15 million inhabitants, the city stands in a position between Europe and Asia. The city is split by the Bosphorous Strait which connects the Black Sea with the Sea of Marmara. As the only sea route between the oil-rich Black Sea and the Mediterranean, the Bosphorus is one of the busiest waterways in the world.
We had a small but very comfortable hotel, The Hotel Perula, just a few minutes walk up a street from the Hipodrome and ideally located for all the tourist attractions.
We spent the rest of the first day on a short walk around the Hippodrome and the surroundings to get our bearings.
Day 2 – March 6th.
we decided to visit firstly the underground water reservoir called the Basilica Cistern followed by the two local mosques. The Basilica Cistern dates from the reign of Justinian in the 6th century. It consists of a vast underground cavern used to store the water which runs down from the nearby mountains in the vast underground where the roof is held up by 336 columns, each over 8 metres tall.
Following our visit to the Cistern we firstly visited the Haghia Sophia mosque, then Suleymaniye, commonly known as the Blue Mosque.
After wandering round the Hippodrome we vsited the Haghia Sophia mosque. The security here at the entrance is very stringent and I had my mini tripod taken from me. I should have had it in my bag rather than attached to the camera.
The interior of Haghia Sophia was a little disappointing as they are obviously doing some serious refurbishment and there is a lot of scaffolding up but then at over 1,400 years old I guess it’s not surprising.
Our second visit was to Suleymaniye mosque, commonly known as the Blue Mosque.
Built between 1609 and 1616 the blue mosque is known as such because of it’s blue iznik tiling on the interior. As the Haghia Sophia, this mosque is a little disappointing as it has quite a lot of restoration going on. I think I still managed to get some good shots using my fisheye lens.