What can we, as photographers, learn from fine art?

Chiaroscuro.

In our photography we use well established rules to help us compose our images. Although one shouldn’t be too restrained by so called ‘Rules’ they do provide a starting point, when learning, to compose a pleasing image. These compositional rules have been well established for years and been used by artists.

There are also other aspects of fine art that can be helpful in creating a good image with impact. We have discussed in the past how we can use ‘figure to ground’ in photography to make a subject stand out by contrast against the background.

Many Street photographers adjust their exposure value to create dark shadows devoid of any detail which creates a dynamic graphical shape within the image. They may also use direct light to illuminate the main subject within that dark graphical shape.

This method of creating an image with strong contrasts between light and dark is known as Chiaroscuro, an Italian word literary meaning ‘Light-Dark’. In painting it is used to suggest volume and modelling in the subject.

A master of the use of chiaroscuro was the artist Caravaggio. A good example of his is ‘Calling of St Matthew’.

Calling of St Matthew by Caravaggio

There is a god video that explains his use of light. See: https://youtu.be/R1lcb_7gj5k

A favourite contemporary artists of mine who also demonstrates a good use of light in their pastel paintings is the Canadian artist Sally Strand.

In her words she explains her use of light within her paintings:

I relate to small moments of life that are often overlooked. These moments resonate with me because they are familiar—we see ourselves in them. They sometimes suggest things beyond the obvious. Painting mundane objects or tasks provides me with a challenge to portray the commonplace in a compelling way, to make the usual unusual and worthy of notice. ‘

This is also a good video where Strand explains how she sees the different light values: https://youtu.be/axlnVZjCjNA

Here are some examples of Sally Strand’s work:

Graffiti to Art

JUNE. 28, 2019

Some years ago all you would see would be humorous or socio-political scribblings on walls of someone trying to make a point. In America it probably all started by being applied to the side of trains in the 1920s and 1930s.
Over a number of years however the original graphical scribblings on the walls have been transformed to a more colourful and artistic form.

Initially illegal with a constant battle going on between the artist and the authorities it has now in some cases been given the seal of approval. In some areas, walling been given for the artist to create their works of art on a more permanent basis.

These are some of my photos taken around Europe.

Cyprus

Abandoned Hotel Bellangaria, Trudos Mountains, Cyprus.
Abandoned Hotel Bellangaria, Trudos Mountains, Cyprus.
Abandoned Hotel Bellangaria, Trudos Mountains, Cyprus.

Germany

Graffiti on the walls of the Student Prison, Heidelberg, Germany.

France

St Nazaire, France.
St Nazaire, France.
France.

Getting close to home now with some wall art taken in Camden, London.

Camden, London.
Camden, London.
Camden, London.
Camden, London.
Camden, London.
Camden, London.

In more recent years too the work has moved from the public domain and has been seen more in galleries. I’m not sure if that is a good or bad move though. I leave the reader to form their own opinion.

Amsterdam

Banksy Exhibition, Amsterdam.
Banksy Exhibition, Amsterdam.